Still on the subject of depth of field...
Stacy chimed in yesterday with a fab comment about being mindful of techniques used to insure your all of your subjects are in focus, when there's more than one subject in the image. Great point Stacy! And one I planned on getting to. Really. Because, there is nothing worse (and a big no-no on a paid shoot) to get one or two of the family members in focus while the rest of the group are NOT, particularly when it's obvious that everyone should be in focus. Like when you're trying to take a nice, traditional family shot. One rule of thumb is to shoot at an aperture setting of f5.6 or even f8 if you can to make it a sure thing.
The other trick of the trade is to, as Stacy put it, be sure all of your subjects are on the same plane. Huh? I know, it sounds cryptic. It was explained to me once like this; Pretend your subjects are right behind a window and you are shooting through it. Be sure all of your subjects are pressing their noses against the window to get them all on the same plane. Is that clicking? If your subjects are all right up against the imaginary window, even at a shallow depth of field, they'll all be in focus together and that makes for some good family portraits! I use this trick now without even thinking about it and it works great.
However, as always, I'd like to challenge the idea that everyone has to be in focus in your images because they most certainly do not. Isn't that the greatest news ever? For a twist on the traditional (my favorite kind of twist) experiment with keeping one of the subjects in focus and let the other(s) go soft. It works wonders for sibling shots. With this tip, I am sharing with you one of my trade secrets. I do that around here from time to time. This one works wonders when I'm shooting pix of my own girls or doing a paid gig. First, choose the easiest child to work with. In many cases these days, it's my oldest daughter. What happens when I pay attention to her and put her where I want her and begin to interact, is that my youngest, the wild child, can't help but feel a little left out. She'll work her way over to where we are and somehow finagle her way into the shot. It works out well because then it's at her own will and instead of throwing a fit about being in the photo, she's quite a agreeable and wants to be in it. Reverse psychology at it's best ladies and gentlemen. Anything to get a shot like this.
Am I right?
The same scenario works wonders when you have a laid back, easy to work with baby (like right at the age they are happy to just sit and smile at you) AND a crazed active preschooler who wants nothing to do with the camera...am I ringing any bells here Kristen? As soon as you let the older child off the hook and focus on the baby, that big sister or brother will do anything to get in the photo. Perfection. This is a recent favorite of my friend's daughters where I use this technique.
Worked like a charm, didn't it?
I do love to throw those tips in for the peeps that are desperately trying to get both of their kids in the same shot together, but usually have little luck. I do what I can to help. It's why I'm here. Hope that inspires you a little Kristen (although from the look of your photos in this post, you're not doing too bad).
Tomorrow I will be answering Jen's questions from the comments yesterday so come back, kay?